Choreographer Takenaka Natsumi analyzed Miyawaki Sakura of her ten years as an idol

Choreographer Takenaka Natsumi analyzed Miyawaki Sakura’s growth for QJ Web.

Takenaka was in charge of the choreography for HKT48’s second single “Melon Juice” in 2013. However, her impression of Sakura at the time was not so clear. What she does remember was that Sashihara Rino being an overwhelming producer and watching over the members while leading the group. What she did remember of Miyawaki Sakura back then was a mature child with little self-assertion.

While she didn’t follow “Produce 48” which gave birth to IZ*ONE, Takenaka said the speed of growth of Miyawaki Sakura was remarkable. Not to mention the visual growth of make-up and hairstyle.

Takenaka said that Japanese idols especially in 48 groups have fluid changes in positions and member organizations for live concerts and programs. So, there is a lot of work involved. Even if the choreography may look the same, depending on the idol’s position, everything may change, including formation changes and choreography count.

Because K-Pop groups are active with fixed members, it rarely happens that their standing positions and member formations change. But they have a high level of practice for each performance and that complicated choreography can be trained by remembering your own position.

The culture and fanbase are difference between Japan and South Korea. Japan is very popular for idols that are innocent and having natural make-up and black hair. As opposed to South Korea, which features sophisticated visuals and performances. Of course, there are many idols in Japan who can freely express their individuality and do what they want to do.

Nevertheless, Takenaka said that Miyawaki Sakura has developed self-confidence and can’t help but look forward to seeing her next stage.

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